
Roll With the Thumb
‘Make it Go Away!’ – Righting the Wrong Grip
Let’s get to how un-angling the racket face helps our quest for power and spin.
As dictated by the Angle Grip, Novak Djokovic has a racket head with the frame angled edge-on-up towards the (perfectly placed) ball.
If he doesn’t un-angle it in time for his Connect 3, the ball will be contacted with the frame edge, not the strings.
The Three Stage Thumb Roll
Stage 1: In frame 1 Nole’s thumb is facing (let’s pretend his thumb has a face) away from my camera, to the opposite side of the court.

Stage 2 In 2 Nole’s thumb is now facing the ball at connect (below).
‘How so?’

Because he has rolled the thumb, which was made possible by a rolling outwards of the inner forearm, which in turn rolls out the inner edge of the racket, thus we instigate the process of in-flight de-angling of the racket face… and all done in time to make a perfect contact.
‘Phew!… repeat after me….’
Stage 3 the third image shows the extent of the outward rolling of the thumb and inner forearm.

Thumb Roll – 3 Movements
- In 1 the hitting surface of the racket faces one side of the court – South.
- In 2 it meets the ball face on – West.
- In 3 it is now facing opposite to where it started – North.
Let’s emphasise these 3 movements, with Nole and John McEnroe…
Or would it be more accurate to describe it as one movement, with 3 distinct – and essential – segments within it?
Either way, this next click-thru of Mac couldn’t be clearer, and in the second frame – fractionally after contact – you can see the thumb just keeps on rollin’.
For this process to take place – for it to be successful…
- The grip gives us the angle.
- The thumb & forearm roll helps unangle the racket face.
- This speedy, fluid un-angling adds to the head whip – makes possible the head whip, even – for extra power and spin.
Un-angling 2: Smoothly Does It (or Incorporated Un-Angling)
Before moving on from this harnessed un-angling of the racket face, I want to emphasise that the thumb does not – cannot – move independently of the rest of Steffi’s arm in image A.
The thumb & forearm roll is not some separate, stand-alone entity.
Rather, it is a shift within a bigger movement and is incorporated smoothly, seamlessly, and unfurls & extends naturally into a fully thrown service action: no muscular jerks, ticks or grinding of joints necessary.
In this sequence of Steffi Graf (above and below), you can see the thumb roll is part of a fuller service throwing action.
At the start, her racket is angled edge-up towards the ball.

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